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Holography in the history of Comtemporary Art


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Title Holography in the history of Comtemporary Art
Title of Series 7th International Symposium on Display Holography (ISDH 2006)
Part Number 33
Number of Parts 61
Author Garcia-Robles, Rocío
License CC Attribution 3.0 Unported:
You are free to use, adapt and copy, distribute and transmit the work or content in adapted or unchanged form for any legal purpose as long as the work is attributed to the author in the manner specified by the author or licensor.
DOI 10.5446/21289
Publisher River Valley TV
Release Date 2012
Language English

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Subject Area Computer Science
Abstract Art movements such as Op-Art, Kinetic Art, Light Art and Conceptual Art have been predecessors as well as contemporary tendencies to the use of holography as an art media. Apart from the obvious historical nexus, there are relevant technical, formal and significant similarities and differences in relation to some of the works created by relevant artists as well as to the main features of those art tendencies. This paper explains the conclusions on a study from a triple semiotic approach: lexical, semantic and pragmatic. On the other hand, holography is an art media, such as painting, sculpture, printmaking, photography, cinema, etc. Like all of these, holography offers some essential features that are unique and representative of the possibilities of the media itself. In this paper we explore those features as well as some key issues in relation to the aesthetics of holography media. An ontological review is undertaken for contextualizing holography according to the Perception Aesthetic, the Participative Aesthetic and the Generative Aesthetic related concepts. Finally, in order to contextualize holography in relation to the most contemporary art tendencies, we explore the relationship between holography and digital media. As photography forced painting to redefine itself in the nineteenth century, nowadays computers have a similar effect on both traditional and other emerging artistic media such as holography. According to experts in the field, some of the most outstanding characteristics of digital media are: Immateriality, Reproducibility, Time Essence, Interactivity and Non-Linearity. This paper explores the possibilities offered by holography in that emerging digital framework.
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analyze the those similarities for controlling for different approaches lexical syntactic semantic and pragmatic lexical is related to there are techniques and also to their information channel wise syntactic is more related to the network of relationships between the lexical elements the semantic is related to the possible meanings and interpretations of finally pragmatic it is related to the influence of art on the social context so therefore there's 2 approaches lexical and syntactic are more related to the morphological issues I mean to the visual appearance of what I works then sorry and I have selected son Art in contemporary art tendencies and once it conceded that the most relevant in relation to In this work made by art is using our efficient and in fact when there are 3 groups of tendency that I we analyze no figurative tendencies that includes work apart and set the realities never concrete and technological tendencies as of Oct Connecticut Light and also wanted to our our tendency and from the point of view of the post modernism I sticky can also taking talk on it to tendencies in the conceptual doctrine that linguistic and become
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in the 3rd group of tendency that I will explain to you is that OK on Caenorhabditis light on as 1st of all I want to say that from in history at point of view it is possible to find references on the literature which connects all works with those tendencies and in fact I would tell you yes 3 of them and much of the physics professor very famous in the Spanish literature and he kept characterize lower FES a type of lighting environments in his book The latter conceptuality have been convicted another example is in found in the book and the of the electronic age as is written by from open and the 2nd chapter is devoted to what is called a laser and after and finally in the most recent In literature written with I have found connecting tendency in with their own or keyword is there was no recognition to work you say walk it heated by Peter Jones and in this book this scene and he's also so I would hazard to say that in fact is not easy to find in literature on history of firearms that taking Turkoman honorific works so in this and that these 3 I'm quite relevant ones and so on 1 hand and 1 of them what immateriality can be considered as a linking feature in relation to then it works and then we'll wrap it works and also the sound I works so well this tendency but indeed there immateriality this characteristic it justifies that some words are described possible around while they are not and we have to have number of years both there's is the in given these features about a kinematic is culture he uses a string rotating created images and he in get he-goats and similar to honorific images on heroes of my contact this is a picture of 1 of these installations it is unlikely that sometimes he'd use at lower affixal faced by he normally in use and then holographic indeed In this sense we are talking here and I have this is it something that this reflection has an important uh consequences in because from a pragmatic point of view this society and also we can see it in their assigned features in the literature it everything that looks it and three-dimensional is called order so this is a contribution also all of these intermediates of the in the sector is today to the history of the park
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incident that the last 1 was being I want to have to tell you that you can do depend to imagine how much enjoyed instant UNIT they need anything because I had a chance to see all of these tolerance that I didn't see on only right only see C so then in Huntington so I want to thank you and Jonathan rose chess on on the organizers and the for giving me the civic unity and also I want to take that chance to ask the actors 5 and collaboration in order to get a better picture of Europe asked to other motivations and the state of pollution so I don't want to these 2 of you too much so I will give you my car and the viewer shown me I will right you need many past you find out you're worried assignment as an to thank you so apparently to us doctoral as being durum because he gave me the chance to make it practical work in the University of you so the incident and that was
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