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Holography in Museums — A modern Sleeping Beauty Syndrome

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good afternoon I'm really pleased to be here and I think that some of them for the invitation to tell you something about the experiences that would follow coffee especially with the continuous title with the museums and with that of the weather in each of these units and I guess I was asked because I had a lot of thought I could impact the development of museums and by the way on my own museum related to 1970 Knight of both them you and therefore all it's a subject which the leading to the new forms of beginning and I thought I will only structure my talk speech in my opinion released publicly tool the talk will form and because there all of the law and presence lot the simple formidable people and prospect therefore all I would like to start this is the structure of each other without the the this this is the was of all this is so
thin hominids this test almost all the great thing is that I wanna graph uh because it was so difficult to get in real optimizations and famous museums and I want to talk about the work of the author museums and all the organizations which are all for the provision which the connection with holography welcomes cannot museum hot days or on rail as a role in lowest that means you're really know font 1 and 1 of the big famous because the nice part museums of call valid to it's a very against into law school was the llama extends you when there are a set computer young I mentioned 70 rebel has been nice installations yes there while able to convince security and to have In the field of museums that is not very very few compared with the amount of which we have if the peak famous op museums like that people and I'm like a to take Gallery or was it is it rule would store column noble accounts that means what comes in the premium end of our world didn't get arrived there it therefore in my opinion we have to be a bit models and they have to wait because the baby for photography was about 160 years since of those photocopy it was shown that the was it and that of the 9 4 in the Academy in Paris and then we had said that we're going to be and I would say the beginning of the sixties in the last century he started to recognize however that the as a hot medium and I guess we will be fast all with work of the but it's still a long way to go in the beleaguered nice as a hot medium if you look into the it's is a picture which I have seen it and this speech utility it's makes
a meeting I have still the use of them if you are interested in that means and if you the exam museums there are probably less than 10 doesn't alter artists which are leaving which are all in a lot presented in the museum and it's a museum and all of us not only that I got a few pieces speech challenge of all that means we have to except that museums and to is the affection today and that it's a very high competition means museums and the duration of quality has the best the good news was the best out of pieces and a lot of the it's not just think organized this could be you answer therefore it's still a big problem come into they because both those of museum there probably fallen off look the mostly in very small museums museums which are working in a new age or in the that's a part of the story that means without used which is seen as a museum of I is at a
disadvantage if you blocks with 1 of the no it's it's like Hopkins isn't that operators it's a problem because Carretas to like very late they like to you watch range what I now this never met work of comparable our body volume likely depend on that means it's yet another part which is about and that 2 of the programs but as it is in comparison with the castle we don't get the name because there's a lot of other got which thought of that means people artists who really are much more quantitative is the and and therefore it's easier to get a quality which you looking for that's the problem and i think now we have 2 layers highly gifted for a couple because most of them are coming with the technical approach that means we have some even media between proceedings highly if were like speaker before therefore the into the Technical Museum and the science and was much
easier also all of the science and all all the technical museums holders said that the the thing to be a bit boring to be at the time but there 4 of these fascinating no question about it and probably still is competitive with gasoline you model on the media which I know why and experience would be enough the you more exhibitions and in the last 10 years that means it still is the same phenomenon which looks therefore Technical museums will you like to put more of the because it into the that activity from the museums the Starting with the this problem
also craters in the optimal the and as you know they had to the product of early stopping without history results passed directly in the museum I think this is anything thing that means that I don't want to blame anybody for it for me it was purely the PR idea I thought if I have the museum for the I get more P. off than if I stop this oracle gallery that's a really simple reason and it book therefore we got inflation font photographing museums with all of content to that means that that seems beginning lines in i'd we have had whatever galleries museums all in London the pork idea all it started at 1st as much and testing and and nearly nearly each because seeking there you which were public exhibitions and it was so decayed and which had been that which I had about more than 2 of the 50 exhibitions worldwide she should looking in in the past of the
medium I think 1 of the 1st 2 why no was constantly going to spilled will work together of sense cotton and uh conflict think who is the very recognized and famous artist we described to be choosy along violence this story and to make the peace non-violence is in 1 of the UN building in New York
and it's a big metal sculpture and you could use it as on a come as and call that lake started 69 together this sense pure cotton and the proper law in the stock was was a laser uh states that and then just out of his across laser guns mission of other comes and later because that they work together with the value or your consisting of no use to make this thing sort of come from down this incident what that's technique and I think this was the beginning intervals time more aggressively the cost the our world unsigned 1 it's a small coming from on the next page she's the let me and my own stock is the work of the was
completely by accident I studied philosophy and the fuel to make sure that I will end up with all of our profession and therefore I was quite open and when I came 1st time to New York I passed by the window from Cartier and you all know this is the effect of the story of the authority of the best constantly but it's really cool with harmful lady who cares Diamond quality ought to be no and the people really real standing in front of the window and the clique of because nobody has seen its sustainable upon for the same with me I didn't use the technique that the use of laser you knew nothing about the and then I went into the shop and ask what's what it is and where I can find things like this and they sent me to hurricanes concepts Corporation of America with option enough and then you find that the company is a spin-off from McDonnell Douglas and this is the Bible seeing which I put up because of his and other to invite people there is she's studying to restore comes which is a wonderful profession in my opinion and the both the very highly delighted that the the political was in static right the the condition yes In such a condition it really has the unbelievable that all 5 6 meters and there are 5 that these 5 dialog coming there is like coming over here 1 over here the lady Don and the other ones that makes it really isn't amend the statement was 170 there and that the eyeballs is a lock moral concepts and I started my career in in work the something that goes spectrum in 72 the 74 1 of those customers what models years
and the there others that that money at this time firefighters technical products and of course the policy something was in the past it was in the world by space and various you total coming and the system was but if 1st steps into the field but I don't have to tell you anything we need not often and ones uh it was very deep image was not least stable it finally was too early fall
and the commercials the for commercial business ultimately therefore I the so in I followed all of this it's much easier to make exhibitions and to show what comes from these forms of and what use comes for customers because the customer name was never really really help you with all comes that about although some things they dislike and therefore what the audience support audience always was that it was sort of looking for work officials therefore shifted in his work the field and suggesting founded the museum in New York right had a chance to buy the stock from local they just went bankrupt and 78 and I've got a lot of stuff from the 1st US-led contested exhibitions in London and therefore I started with my own museum you know which the the deities time there was no models that was not enough material really because everybody with the gallery all he will run a museum and more or less the same stuff and therefore it was competition . difficult to differentiate yourself and therefore are really engaged myself that only in our and to connect and to show single exhibitions from single out this and and I started my activities
in the middle it was it was a huge cock and therefore was about these thousand square feet In the other and it's is time cannot reach year with set of energy 2 different artists like women use some of and right so thought we did not want to conclude by yourself disaster early texts the early very few words in the output of the and together with the city of who are and response of the 1st European 1 of few prices which was 1 of the 1st time from ductile here you can see is that into the picture the Board and that's going she she also used in several museums that wasn't but shy kids there were really the High
Season filmography was a war at the end of the eighties the pose text their 86 then they also once they the galleries when think about and I closed my museum finally in 99 . 94 just because it didn't look the profits and the anymore but I couldn't find any Spontal suppose exhibitions because of the exhibitions will also by great companies like energies and life like the banks and things like this 1 of the was knowledge of all model and you know when you focus on the future of the the median what's of future was conceived as a future anymore therefore the demand for the exhibitions went on and my business models like the full 20 years when there are some of the book and the way how it was but I still have the collection and I still are doing executions and as I mentioned before the war but in Wireless and
demand for exhibitions today than ever before in the last 8 years therefore I think for a is in a consolidation phase it's a bit each time and it will stand up again and the device C is the amount of the visit of the tree I had only with my own exhibitions more than the millions sense it yeah not really for the gates that day it's a bit profession and I think it is to come back with the more with sustainability than it was in the eighties in my oppinion Oracle the still has a future
because they get such a lot of new you know achieve the technologies have the color that which we have heard about this this shows that the combination with the digital work of the and here you were a perfect materials like some big companies the all of files for example all people are still investing in pornography and I think it and there is a new they and into and this is really makes me believe that all of the and then it has a mass of stars on the medium so and you shouldn't forget about all
of the new generation of of artists which are completely different from the first one of which are who are mainly as indicated in Cologne that's questions of media arts and this figure shows the results who was looking with all of them there are lot of another analysis which you can get from him more for me and you can look so new artists which I can look at this is medium there is finally comes into and I dedicated 35
years of my life demography and that
experience a lot of ups and downs In my opinion ability is ready to create that means that all us and up and down and I believe we have another 1 of the fascination of the new steel books and you spoke about and I really can't tell you each exhibition which is coming up I have had exhibition quite as is some of the people are reacting the same way politics and society and me I have for formalize the 2005 multiple
of problems which are about the water in the favorite years and saying so dollar in packages to different museums but it's really it's the particularly that's so meeting taking the counsel that was 512 accounts for me they never showed 1 and I think the time will come that said it shall at least the 1st task is to get the people alive again that's me yeah be the local without
and
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Metadaten

Formale Metadaten

Titel Holography in Museums — A modern Sleeping Beauty Syndrome
Serientitel Holography In The Modern Museum (HIMM 2008)
Teil 02
Anzahl der Teile 10
Autor Lauk, Matthias
Lizenz CC-Namensnennung 3.0 Unported:
Sie dürfen das Werk bzw. den Inhalt zu jedem legalen Zweck nutzen, verändern und in unveränderter oder veränderter Form vervielfältigen, verbreiten und öffentlich zugänglich machen, sofern Sie den Namen des Autors/Rechteinhabers in der von ihm festgelegten Weise nennen.
DOI 10.5446/20945
Herausgeber River Valley TV
Erscheinungsjahr 2012
Sprache Englisch

Inhaltliche Metadaten

Fachgebiet Informatik
Abstract The fact is that the biggest hurdle for curators to organize holography exhibitions is their lack of knowledge, their preconception or even their lack of confidence. Not that curators are too stupid to be interested in our preferred media, holography, but they need, like most of us, guidelines. The problem is that holography had from the beginning an ambivalent image presented on one hand as new recording technique and as such a fascinating media, and on the other hand a new form of art. The producers of holography have not been able over all the years, even through distinguished conferences or opinion leaders, to get holography rightly classified. Holography still is an opalescent visual media with a fuzzy image. I may say that I may even have contributed to the confusion by exhibiting holography as in well known art museums in Hanover or Nürnberg, including the Ludwig Museum in Cologne, but also in technical museums, e.g. the Deutsche Museum in Munich or the Museo de Sciencia in Barcelona. The commercial exhibitions I did, I made a living out of my holography exhibitions, in theme parks or commercial malls did not help the matter. However, as over 3 Million people visited these exhibitions, the media was discovered and commented.

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