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Testing the Color Harmony for Painting Exhibition

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Title Testing the Color Harmony for Painting Exhibition
Title of Series The 5th European Conference on Colour in Graphics, Imaging, and Vision and the 12th International Symposium on Multispectral Colour Science (CGIV 2010/MCS'10)
Part Number 3
Number of Parts 43
Author Lachheb, Sabrina
Colantoni, Philippe
Dinet, Éric
Contributors Trémeau, Alain (Presentation)
License CC Attribution - NoDerivatives 2.0 UK: England & Wales:
You are free to use, copy, distribute and transmit the work or content in unchanged form for any legal purpose as long as the work is attributed to the author in the manner specified by the author or licensor.
DOI 10.5446/18283
Publisher River Valley TV
Release Date 2011
Language English
Production Place Joensuu, Finland

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Subject Area Information technology
Abstract A set of colours aesthetically pleasant are described as in the language of human visual perception. As this encloses a subjective part, a psychophysical experiment carried out to estimate the perception of colour harmony combinations of paintings with the uniform colour of walls which they are hung. The experiment, that involved 38 observers, was based on colours built upon a specific colour flow. Participants asked to judge the colour harmony of combinations of of 7 selected paintings with backgrounds uniformly in 3 different ranges of colours—achromatic colours, derived from the global average colour of the considered and tones derived from the complementary of the average colour of the considered painting. Results demonstrate that the best colour harmony is when the average colour of paintings is used to colour background. The experiment presented in this paper shows that the white colour usually used for walls does not optimize the colour harmony.
Keywords The 5th European Conference on Colour in Graphics, Imaging
Vision and the 12th International Symposium on Multispectral Colour Science

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