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Testing the Color Harmony for Painting Exhibition

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Titel Testing the Color Harmony for Painting Exhibition
Serientitel The 5th European Conference on Colour in Graphics, Imaging, and Vision and the 12th International Symposium on Multispectral Colour Science (CGIV 2010/MCS'10)
Teil 03
Anzahl der Teile 43
Autor Lachheb, Sabrina
Colantoni, Philippe
Dinet, Éric
Mitwirkende Trémeau, Alain (Presentation)
Lizenz CC-Namensnennung - keine Bearbeitung 2.0 UK: England & Wales:
Sie dürfen das Werk in unveränderter Form zu jedem legalen Zweck nutzen, vervielfältigen, verbreiten und öffentlich zugänglich machen, sofern Sie den Namen des Autors/Rechteinhabers in der von ihm festgelegten Weise nennen.
DOI 10.5446/18283
Herausgeber River Valley TV
Erscheinungsjahr 2011
Sprache Englisch
Produktionsort Joensuu, Finland

Inhaltliche Metadaten

Fachgebiet Informatik
Abstract A set of colours aesthetically pleasant are described as in the language of human visual perception. As this encloses a subjective part, a psychophysical experiment carried out to estimate the perception of colour harmony combinations of paintings with the uniform colour of walls which they are hung. The experiment, that involved 38 observers, was based on colours built upon a specific colour flow. Participants asked to judge the colour harmony of combinations of of 7 selected paintings with backgrounds uniformly in 3 different ranges of colours—achromatic colours, derived from the global average colour of the considered and tones derived from the complementary of the average colour of the considered painting. Results demonstrate that the best colour harmony is when the average colour of paintings is used to colour background. The experiment presented in this paper shows that the white colour usually used for walls does not optimize the colour harmony.
Schlagwörter The 5th European Conference on Colour in Graphics, Imaging
Vision and the 12th International Symposium on Multispectral Colour Science

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