Testing the Color Harmony for Painting Exhibition

Video in TIB AV-Portal: Testing the Color Harmony for Painting Exhibition

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Formal Metadata

Title
Testing the Color Harmony for Painting Exhibition
Title of Series
Part Number
3
Number of Parts
43
Author
Lachheb, Sabrina
Colantoni, Philippe
Dinet, Éric
Contributors
Trémeau, Alain (Presentation)
License
CC Attribution - NoDerivatives 2.0 UK: England & Wales:
You are free to use, copy, distribute and transmit the work or content in unchanged form for any legal purpose as long as the work is attributed to the author in the manner specified by the author or licensor.
Identifiers
Publisher
River Valley TV
Release Date
2011
Language
English
Production Place
Joensuu, Finland

Content Metadata

Subject Area
Abstract
A set of colours aesthetically pleasant are described as in the language of human visual perception. As this encloses a subjective part, a psychophysical experiment carried out to estimate the perception of colour harmony combinations of paintings with the uniform colour of walls which they are hung. The experiment, that involved 38 observers, was based on colours built upon a specific colour flow. Participants asked to judge the colour harmony of combinations of of 7 selected paintings with backgrounds uniformly in 3 different ranges of colours—achromatic colours, derived from the global average colour of the considered and tones derived from the complementary of the average colour of the considered painting. Results demonstrate that the best colour harmony is when the average colour of paintings is used to colour background. The experiment presented in this paper shows that the white colour usually used for walls does not optimize the colour harmony.
Keywords
The 5th European Conference on Colour in Graphics, Imaging
Vision and the 12th International Symposium on Multispectral Colour Science
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Timings

  444 ms - page object

Version

AV-Portal 3.12.0 (3a2599d676b25753609baac9def5622401886a53)
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